Download The Stanislavski System: The Professional Training of an Actor; Second Revised Edition (Penguin Handbooks), by Sonia Moore
Download The Stanislavski System: The Professional Training of an Actor; Second Revised Edition (Penguin Handbooks), by Sonia Moore
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The Stanislavski System: The Professional Training of an Actor; Second Revised Edition (Penguin Handbooks), by Sonia Moore
Download The Stanislavski System: The Professional Training of an Actor; Second Revised Edition (Penguin Handbooks), by Sonia Moore
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About the Author
Sonia Moore was a theater director and an expert on Konstantin Stanislavski and his acting method. Founder and director of the American Center for Stanislavski Theater Art and the Sonia Moore Studio of the Theater, she also wrote extensively on the Stanislavski method, including The Stanislavski System and Training an Actor: The Stanislavski System in Class. Moore died in 1995.John Gielgud (1904–2000) was a legendary English actor and director, who was recognized as one of the “great trinity of theatrical knights” with Ralph Richardson and Laurence Olivier that dominated the West End and Broadway in the twentieth century. He also appeared in more than 60 movies and won an Academy Award for Supporting Actor for Arthur. His writing credits include An Actor and His Time and Distinguished Company.Joshua Logan (1908–1988) was an award-winning American director and writer. He directed the Broadway productions of Annie Get Your Gun, South Pacific, and Mister Roberts. He shared the Pulitzer Prize for Drama for cowriting South Pacific in 1950 with Richard Rodgers and Oscar Hammerstein II, and the Tony Award for writing Mister Roberts with Thomas Heggen in 1948. He also directed Hollywood movies and was nominated for Academy Awards for Picnic and Sayonara.
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Product details
Series: Penguin Handbooks
Paperback: 112 pages
Publisher: Penguin Books; Revised, Reprint edition (October 2, 1984)
Language: English
ISBN-10: 9780140466607
ISBN-13: 978-0140466607
ASIN: 0140466606
Product Dimensions:
5.1 x 0.3 x 7.7 inches
Shipping Weight: 1.4 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
33 customer reviews
Amazon Best Sellers Rank:
#185,468 in Books (See Top 100 in Books)
This was a book I bought to go with an Anton Chekhov play collection for a an acting class. It is a good book, but due to previous experience some of the information was not new to me. For a total novice without any foundation, you will find this book helpful as a starting point. It is a small book and is easy to follow. I recommend this book for new aspiring actors to get their feet wet in the foundations of acting.
Sonia Moore is a well-kept secret within the acting world. She didn’t make a lot of noise within the industry, but she, in fact, was the ONLY student of Stanislavsky that come over to the west to teach (apart from Boleslavski who was everybody’s teacher Strasberg, Adler, Meissen, Lewis, Crawford, etc.).It ABSOLUTELY belongs in the shelf of any serious actor.RIP, Sonia Moore
A fantastic book that contains a condensed version of Stanislavski's most familiar works: "An Actor Prepares," "Building a Character" and "Creating a Role." This information is well worth the price. Aspiring actors should pick up a copy.
This is the book I started with when really learning acting rather than going to it by "feel," rather than craft. Sonia Moore's text, though older now, is still as relevant as when first published. It breaks down the "System" - and oft maligned approach to acting - and demystifies it, giving it flesh and bone that all actors must be when they are on stage or film: human: all too human.
Nice short book. Good exercises to do. Only think I wish it had a overall lay how to breakdown a scene and embody a character.
I've already read stanislovskis books and I they are a bjt difficult to get to. I'm more of an inside to outside actress and I thought perhaps this book would have more INsight to stanislovskis work. It feels more like an intellectual regergatation. One that would be better for acting teachers as they observe their students problems more than the students who are trying to learn how to be more specific and make the script truly come alive. But that's my opinion others tend to like this.
deep and insightful
Good
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